At a moment when images are increasingly produced, transformed and circulated through systems whose operations exceed our immediate perception, Fragments of Nowhere asks what it means to make and to look without being entirely certain of what takes place between an intention and what eventually appears. The exhibition approaches this uncertainty not as something to resolve, but as a space in which to work. Across moving images, objects and installations, familiar materials are displaced through successive acts of translation, alteration and encounter, allowing forms to emerge that could not have been fully anticipated. Drifters, Field Distortions and fragmented landscapes populate this unstable territory, less as representations of another world than as evidence of processes whose origins and outcomes remain deliberately difficult to locate. What is at stake is therefore not the spectacle of technological transformation itself, but the perceptual distance it produces. Fragments of Nowhere lingers in that interval, where recognition and uncertainty can coexist, and where an alteration does not necessarily obscure what was there before. It may allow something else within it to become perceptible. The anomaly, then, is not simply a rupture in what we know, but a possible point of access to what our usual ways of seeing leave out.